Morgen in Riesengebirge, by Caspar David Friedrich Sometimes it can be useful to be brief. Last year, the wave of worry, promoted by the Swedish Alberich, without at least the artistic virtue of her deceased compatriot, Birgit Nilsson, stimulated predictions of imminent Götterdämmerung. This virtually Wagnerian kitsch was further dramatised by the pretensious performers of troupes apocalyptical […]
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